February 21, 2010 — The way you express yourself with words is a crucial extension of your creative identity. Professional designers are usually busy focusing on the visual aspects of their craft, but visual arts and literary arts collide and coincide regularly. The two fields meet not just in typography, but also in press releases, […]
It’s ready, and it’s shipping. We’re very proud to release a brand new Smashing book: “Design Systems” by Alla Kholmatova’s — our new practical guide to creating effective design languages for digital products. The book isn’t about tooling; it’s about how to set up a shared language that would help teams produce visual output that consistently
March 15, 2012 — Since Elliot Jay Stocks so poignantly told us to destroy the Web 2.0 look, we’ve witnessed a de-shinification of the Web, with fewer glass buttons, beveled edges, reflections, special-offer badges, vulgar gradients with vibrant colors and diagonal background patterns. The transformation has been welcomed with relief by all but the most
July 4, 2012 — Good Web designers know what many others might not realize: that creating a truly beautiful website requires care, time and craft. And similar to how a craftsperson molds their creation by combining raw materials, skill and unwavering focus on the vision, a beautiful design is planned and executed with exceptional focus
February 18, 2013 — Typography is reclaiming its title as design queen, ruler of all graphic and web design. In this article, Marko Dugonjić teaches us how to make sure our text is as legible as possible when seen in the virtually limitless combination of variables such as space, time, cognition, social conditions and physical
April 4, 2014 — Khajag Apelian not only is a talented type and graphic designer, unsurprisingly, but also counts Disney as a client, as well as a number of local and not-for-profit organizations throughout the Middle East. Designing a quality typeface is a daunting task when it’s only in the Latin alphabet. Khajag goes deeper
October 3, 2014 — Compared to what we can create on the computer today, the original Macintosh, with only 128 KB of memory, had limited capabilities. At the time, though, it opened up so many new possibilities. Emerging digital technology also changed typography. Some digital typefaces were updated versions of classics, while others were brand
February 25, 2016 — As logo and brand designers, our work starts long before the first concept sketches, and finishes long after the last perfectly placed pixel. Our work requires so much more than just creative ideas and technical skills — it compels us to be a marketer, strategist, psychologist, salesperson, showman and project manager at the
August 17, 2016 — In 2011, the traditional comp-to-HTML workflow was only beginning to be critiqued, and since then, we’ve seen a myriad of alternatives. Style Tiles, Style Prototypes, Visual Inventories, Element Collages, style guides, and even designing in the browser have all been suitable approaches to multi-device design. Also, applications like Webflow and Macaw have made breakpoint visualization digestible
