If you’re looking for a useful free font with a bit of an edge, look no further than this collection of modern typefaces. These sleek and versatile fonts are perfect for all sorts of designs, from websites to printed material, and they are all completely free for both personal and commercial use. To facilitate your […]
Today, Tom Čakloš will show you how to create limits and rules to follow throughout the entire design process. There is an unlimited number of ways in which you can combine elements in a user interface. You may be struggling with all of the possibilities and trying to pick the best option among many “correct”
In this episode of the Smashing Podcast, we’re talking about variable fonts. What are they, how do they differ from regular fonts, and how can they help in the design and performance of our websites? Drew McLellan speaks to a font of knowledge on the matter, Jason Pamental. Every two weeks, we publish a podcast
Have usability conventions and the web’s universality steered us away from proper art direction? Have we forgotten about art direction altogether? Marko Dugonjić believes so. As designers, we can achieve much more with type, and with just a little more thought and creativity, we can finally start to take full advantage of the type systems
There are various ways to approach responsive typography and consistent vertical rhythm, and they are not limited to my suggestion. However, Jonathan Suh finds that this works for him more times than not. Managing consistent, typographic rhythm isn’t easy, but when the type is responsive, things get even more difficult. Fortunately, Sass maps make responsive
Looking for a starting point for designing emails? Not sure which font size to use? In this article, Anna Yeaman explores how email designers handle responsive typography within various industries, so she amassed 50 emails across various industries that she thinks do a good job with typography to see if any patterns emerged. This study
Did you ever take a walk through the entire Unicode table? It’s the history of our civilization expressed in typography. It might be organized in an arbitrary fashion and not explained well, but it’s all here: languages, cultures, concepts. Spaces are here, too. There’s the one with an agent good enough to have gotten it
Microsoft restarted conversations about system UI fonts with its original Windows Phone design language, which relied heavily on typography in general, and on a font named Segoe in particular. No wonder that the idea of using those fonts is spreading through the web world as well. Whether you want your website to feel more like an app,
Solid typography, well-crafted with attention and care is one of the small details that make a project shine. In practice, however, publishing on the web is supposed to be fast, and the little details are often overlooked, which is a pity, because they are not only pleasing to the eye but also improve the reading
Today we are pleased to feature the new and free font families Yrsa and Rasa by David Březina and Anna Giedryś and their story behind the design process. David has written two articles about the project’s development in which they discussed what they meant by remixing and how they approached harmonization of the two different scripts, Latin and
